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Guide to Rën Poetry

2020.06.03 21:00 Geckat Guide to Rën Poetry

The poetry of Rën has evolved a lot since I began writing in it years ago, so I've completely reworked the section in its grammar regarding it. (It has the same jun-cebak poem, though, sorry! It's just such a good poem to illustrate the form's potential weirdnesses.)
I'll post everything in Roman characters here for your interest, but if you like what you see, I definitely recommend looking at the grammar itself (located here), as the poetry is very visual, and the shape of the lines and their orientation on the page is crucial to most forms. I'm going to try once again to format for Reddit, so wish me luck!
---
The final chapter in this edition discusses poetic formats in Rën. Poetry is an important form of expression in many languages, and there is a great variety around the globe in styles, formats, and topics. Certain kinds of poetry are frequently outlawed throughout history due to the impact it is believed to have on the human psyche.
In Rën, poetry is written more often than it is spoken, so the appearance of the poem on paper, or whatever medium it is printed on, is as important, if not more, than the sound. Its poetic formats are developed with a visual aesthetic rather than an auditory aesthetic in mind.
These formats should be viewed in terms of different techniques, however, as opposed to set meters or poetic templates. At the time of writing, there is no equivalent, for example to the Shakespearean sonnet, in which a poem consists specifically of three quatrains and a concluding couplet. Poetry in Rën can however still make use of rhyming patterns, alliteration, concrete forms, and moraic timing, which may be combined or excluded to create the desired aesthetic of the poem’s message. Rën poetry, then, might be compared to the musical concept of jazz, in which more emphasis is placed upon the writer’s ability to improvise, reinterpret, and at times intentionally break their own rules to formulate the subtleties of their art.
While the building blocks of Rën poetry will likely be easily recognized by those familiar with different poetic traditions, their presentation on paper, and their use, naturally has subtleties to it that are unique to the language itself, therefore necessitating this chapter.

Jun-Mufta

Poetic styles in Rën are called “wings”, with jun mufta translating as “free wing”, and it refers to the tendency of Rën poetry to contain the same number of words in each line. Nearly every poem in Rën will follow this jun as a rule, so it is more significant when it is broken than when it is followed. Because of the general lack of crucial particles in the language, this means that each line will be weighted similarly in the amount of semantic information it carries. Even those lines that do contain a particle usually do so in the form of a complementizer, or the word Rën, which act as an indicator to the reader to pause and connect, or to reflect and meditate upon that specific line, respectively. In the following example, we will see how word count is used to create consonance and dissonance, as well as the literary use of inflectional grammar:
Rënau uwau fahleth amauncaki jahih.
Manihlez tihjidh erdiaz tëzihdh salihm.
Tëzihdh tëzihd asauna asauna fausadh.
Janau Rënahz sawau e wand kunih omez.
Jaw e modh ganz ihelnez.
[Rën.1 love.1 leave.2.DEC INV-kill.1-CAUS life.3 home.3-OBL find.3 floor-OBL speak_Rën.3.DEC wise.3 speak.3.DEC speak.3 INV-listen.1 INV-listen.1 perish.3.DEC leave.3 Rën.2-OBL ask.1 C where blood-3 body-OBL answer C dead-DEC time-OBL arrive-VN-OBL]
“Rën left those who love him to end a life.
In its home, he found that life upon the floor, speaking Rën wisely.
He spoke and spoke, and they listened and listened, and perished.
They left to their friends, was asked — where is his blood on the body?
They replied: it was dead at the time.”
The first thing to notice about this poem is that it is (mostly) centered. This is called the poem’s kal, or throat, and refers to its alignment upon the page, which draws the reader’s attention to certain aspects of the poem. In the case of a centered alignment (kal mufta), it means that we are meant to notice that the centered lines have an equal number of words. Just like the alignment itself, this mufta implies a sense of centering and liberation. The significance of the single uncentered line, then, might be inferred, and is fitting, since it is spoken by the protagonist’s murderous contemporaries.
The standard number of words per line in this poem is 5, and in mufta lines, the only particle in this case is the initial word Rën. Note that it is a common practice in poetry to include the word Rën once or twice within the poem, and very often to begin or to end it. However, in this piece, it is used twice, and in fact, the rimufta line contains not one, but two particles; if these particles were omitted, then it too would be a mufta line, which tells the reader that it this rule is intentionally broken in this line. Here, even the arguable antagonist of the poem is referred to as Rën.
Regarding the grammar, there are two aspects to draw your attention to: The first is the use of the declarative mood. As you should recall, the declarative indicates not only that something happened, but that its happening, and its reason for unhappening, are unquestionable. In this poem, it relates to the predetermined nature of enlightenment, and tells us that the protagonist was always intended to metaphorically die in the home of their slated victim. Once again, notice that the only line without the definitive mood is the fourth, rimufta line.
The second significant piece of grammar is the use of the variable syllable, the language’s method of indexing. Notice that all three parties are indexed — the protagonist, their contemporaries, and their victim — and that indexing occurs in every line except for the last. It is not that the final line contains inanimate referents, but rather, that the referents have ceased to matter at the end of the poem.
These two grammatical pieces are strong examples of aspects of Rën poetry (and Zëw Rën in general) that simply cannot be translated well into any other language, and they reflect well the reason the language is both potentially difficult to learn, but also a useful tool in developing new methods of thought.

Zomzila

Zomzila is alliteration, and means “alike sounds”. While in Modern English, alliteration is typically used as a very freely used method of placing emphasis upon a line or phrase, in Zëw Rën it is a much more common method of organizing a poem and giving it the flow that, in English, we might instead use rhyme or meter.
Like mufta, there is a visual cue to look for when a poem is organizing itself through zomzila, and that is the gelmat eh , especially in places that it would not normally be, such as in the middle of a word without a vowel. This is to indicate the syllable that is to be stressed. This syllable is not always the one that would normally be stressed in a word without a variable syllable (ie the final syllable), and may still be on that syllable that would normally carry the variable syllable. Like every other rule in Rën poetry, it can be broken, misused, or emphasized for effect.
Kalah asahw e haumah redahwi
Kaloh tohd e kiz redahmi
Lired e sewki
Salihr e saleht hen
Silhnhe lishnez asaliht Rën
Sihliur jaghnaior e ragihba
Salihr e saleht sab
Rikush ridush risehm rishgad
Sehba sehti jash sehmaz
Risehwki red Rën
[throat.1 INV-ask C ego.1 satisfy.1-OPT throat.2 say.2 C cause-OBL satisfy.1-EN NEG-prove C ask-CAUS
pray.1-COND C pray happen sensation-VN-DEF tongue-OBL hope.1 Rën rise.1-COND awaken-COND C desire.1
pray.1-COND pray_for nothing NEG-pleasure NEG-purpose NEG-smell NEG-scent sun snow ice sky-OBL NEG-ask-CAUS prove Rën]
“One throat asked that its self be satisfied
Another throat said, then it must be satisfied
(But) it was not satisfied, for being asked
When I pray, what I pray for happens
This taste on my tongue is what I asked for, Rën!
When I rise in the morning, that is my desire
When I pray, I pray for nothing
No pleasure, no purpose, no smell or scent
Sun or snow or sleet in the sky
For not being asked, it is satisfied, O Rën”
Like the previous poem, there are some lines that are mufta, and some that are not, and this discrepancy is significant, as is the identification of the protagonist Rënih from the other two indexed referents.
The kal of alliterative zomzila is the presence of the gelmat, however, and we can see that after the dissonant first stanza, that each line has a certain number of them: Two in the first line, and three in every other (barring the final, to be brought up later). These indicate the stressed syllables, and so those which alliterate. This particular poem makes use of a method called silsil, or “chaining”, in which not only does each line contain an alliteration, but the following line also has its first stressed syllable alliterate with the previous alliteration. Without silsil, there need only be two gelmat per line. Note that, needless to say, variable syllables that do not use gelmat (ie diphthongs) are not well-suited to zomzila poetry.
A final thing to notice is the last line in the poem, which stands out in being the fourth line of a stanza in a poem in which there are otherwise three lines per stanza, and also in breaking mufta but without being aligned otherwise. This line is called zompajen, or a heartbeat, and is meant to be a poignant, sometimes ironic closer to a poem. The zompajen may or may not alliterate (in this case, it does according to silsil), but otherwise presents as a shorter, final line to a poem, as an addendum or afterthought. While it is especially used in poems using zomzila, it can be applied to similar effect in most poetic forms.

Jun-Atma

Jun atma means “final wing” and is the term used for poetry that is right-aligned. Poetry that is arranged this way will rhyme. Rhyming in Rën is just as with most other languages, including English: the stressed syllable must contain the same vowel, and those following it, if any, must be identical.
Rën subez jagihki muhihci
Biha madh ‘raz cuhihci
Mihncaci wa cikihrci
Adihrci wa bahihrci
Sansenhe sansen atmaci
Kelsur iihnhaci
Ërianuftasihlagci
[Rën morning-OBL awake.1-CAUS prepare.1-POT 1000 method.DEC mind-OBL die.1-POT kill.1-POT or prey_upon.1-POT inside.1-POT or outside.1-POT breathe-VN-DEF breathe-VN final-POT every-breath ending-POT SNEG-INV-half-climb-POT]
“Rën, in the morning, as I awaken I may make ready
A thousand methods in my mind by which to die
I may be murdered, or else I may become prey
Maybe indoors, or maybe instead outside
This breath could be the final breath
Every breath could well be the end
I may never even climb half-way”
This poem appears at a glance to have a single rhyme throughout, but is actually in couplets, that are foiled in the final two lines (arguably three), which do not actually rhyme, but contain the same uncertain mood ending.

Jun-Tehëj

Jun tehëj may be seen as a development upon jun mufta. It means “crowned wing” and while it is usually centered like jun mufta, and necessarily contains the same number of syllables, it is highly recognizable regardless of its alignment, due to its method and its kal: Not only does every line contain the same number of words, but also the same number of written blocks, meaning every line has precisely the same length. To draw attention to this, its kal is to surround each line with tëj, lending to its name. For this example, I have chosen a humorous poem that shows the jun being broken, but typically, these poems have a flow like a mantra that induces a sense of rigidity or piety.
Rën wi kinti rijowzemi Rifikmi e elsir so Mu rinakzeci e kuhir Gam lu nufbir cuhen Ricer bir e wi kalma
[Rën 4 number NEG-defile-EN NEG-think-EN C amount 5 6 NEG-nose-OBL-POT C breathe-COND blink 9 half-instance die-VN NEG-write another C 4 word]
“Rën, fourth is a number which must not be defiled Do not even think of amounts of five Six while we breathe may not enter our noses To blink nine half-times is death Never will I write another word than four”
Notice the breaking of the last line is by a single word — an easily omitted particle — which again draws attention to its purposefulness.

Jun-Cebak

Jun cebak, or “cross wing”, is a highly visual form of Rën poetry, and especially unique to the language. It makes use of the nature of Rën open-class words, in that each word is technically a complete sentence on its own, and does not require arguments or grammar in order to complete it. Therefore, the language has the nature of polysynthetic languages, in which words are theoretically their own island, while still being highly isolating, in which words may be entirely uninflected without being agrammatical. The result is that one word may be used in several different ways, in several different sentences at once, leading to the natural conclusion of poetry that may be read in more than one direction.
Jun cebak poems have two different readings: the first is peri sena, or “listened line”, and is read as normal, from left to right, then top to bottom. The second is peri suk, “contemplated line”, which is read in opposite order: top to bottom, then right to left, in columns.
Jun cebak poetry’s kal is quite distinctive in that the lines are written with spacing that allows for the columns to be clearly seen, for the second reading. The lines are usually, but not always, composed of the same number of words, and indeed there may be lines that are spaced out in a particular way so that words are read in one column/suk line rather than another. The example I have chosen exemplifies this.

Peri-sena:
Rën era zemanz ganlen jagna
Sut fusla jagnamë era
Hiz afaz birez cen
Iahdir ëmlen ëliruk megarenz
Hezurez rihnhanz mihenata zemanz
[Rën mind time-OBL moment-DIST awake sleep whisper awaken-SEN mind day-OBL INV-birth another-OBL know fly.1 year-DIST SNEG-stop path-DEF-OBL nest-OBL NEG-ending-OBL toil time-OBL]
Rën, one’s mind, by time, is at every moment awake
One sleeps, and it whispers (that) the mind must awaken!
By day, it gives birth to another day, it knows
A flying creature, every year, it never stops on this trajectory
For the nest, without ending, it toils through time.

Peri-suk:

Rën era sut hiz iedir hezurez
Zemanz fusla afaz ëmlen rihnhanz
Ganlen jagnamë birez ëliruk mihenata Jagna era cen megarenz zemanz mukid
[Rën mind sleep day-OBL fly.1 nest-OBL time-OBL whisper INV-birth year-DIST NEG-ending moment-DIST awaken-SEN another-OBL SNEG-stop toil awake mind know path-DEF-OBL time-OBL certain]
Rën, the mind sleeps through the day, like a flying creature in a nest
Through time, that whispers, and births each year without ending
At every moment, one must awaken, never stopping, toiling
The awake mind knows that the trajectory of time is certain.
Reading these poems is nearly as much of an art as writing them, at times, but in general, if a word is “hanging”, like the final word mukid in the pero sena reading, then it is typically ignored. Also note that these poems largely lack indexing/variable syllables, and in general have a sense of ambiguity, with interpretation left strongly up to the reader — the abstract art of Rën poetry.
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2020.04.18 17:44 hamza5123 Faisal Movers Lahore Online Booking Ticket Price List Terminals & Contact

Faisal Movers Lahore Online Booking Ticket Price List Terminals & Contact
https://preview.redd.it/4ryk0t6hklt41.jpg?width=1200&format=pjpg&auto=webp&s=37798fbc3488a0f2fab77d5da3e06062fcc8223c

Faisal Movers Lahore Ticket Prices Online Ticket Booking

About Lahore:

Lahore is the capital of the Pakistani province of Punjab. It is the country's 2nd largest city after Karachi and 18th largest city in the world. Lahore is one of Pakistan's wealthiest and oldest city.

Faisal Movers Lahore

Faisal Movers is the largest bus operator in Pakistan. Headquarter of Faisal Movers is in Lahore. It has many routes for cities all over the country including Islamabad,Peshawar, Faisalabad, Multan, Bahawalpur, Sadiqabad, Raheem Yar Khan, Sukkur, Karachi etc. Faisal Movers covers almost every destination from the city of Lahore with massive flow of passengers. It has more than 200 departures in a single day to the destinations in Pakistan.

Terminals:

Faisal Movers has four terminals in Lahore.

Terminal Address:

  1. Faisal Movers, City District Govt Terminal Band Road Near Chowk Yateem Khana
  2. Faisal Movers Abdullah Terminal, Band Road Lahore
  3. Faisal Movers Jinnah Terminal, near Thokar Niaz Baig Lahore.
  4. Faisal Movers Kalma Chowk, Near Century Tower Kalma Chowk Lahore.
Main terminal is Abdullah Termianl for routes like Lahore to Islamabad, Lahore to Faisalabad, Lahore to Peshawar and Sargodha. City Terminal is the main terminal for Routes like Lahore to Multan, Lahore to Bahawalpur, Lahore to DG Khan, Lahore to Sadiqabad, Lahore to Karachi, Lahore to Alipur, Lahore to Rajanpur, Lahore to Taunsa Sharif and some others. However, almost all of the above routes also touch Faisal Movers Abdullah terminal.
Jinnah Terminal was main point before M-3 Motorway, After this it was cutt off for many routes like Multan, Bahawalpur, DG Khan, Alipur, Rajanpur etc. Jinnah Terminal now offer ticketing for routes like Multan through G.T Road, Sahiwal etc. Kalma Chowk Point however is only ticketing and cargo point where you can purchase tickets but you have to go the departure terminal to catch the bus.

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Faisal Movers Lahore Ticket Price List:


From To Standard Executive Business
Lahore Multan 850 1000 1200
Lahore Islamabad 1200 1220 1650
Lahore Bahawalpur 1160 1160 1560
Lahore Karachi 3100 3500 4600
Lahore Muree 1570 1570 Nill
Lahore Peshawar 1370 1370 1830
Lahore Sadiqabad Nill 1580 2200
Lahore Gilgit/Hunza Nill 4170 Nill
Lahore Naran Nill 2990 3440
Check Faisal Movers Fares

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Learn How to book Faisal Movers Tickets Online.

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Check Time Schedule from Lahore.
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2019.03.19 13:58 roohanionline Roohani Ilaj Online

Roohani Ilaj Online
ALLAH created us and He gives us a precious gift that is Quran. And we found every problem solution from it. Quran teaches us so many things that are helpful in our life. Today there are so many websites where we found different types of people who did these types of things like Rohani Ilaj Online, Online Istikhara, Marriage Astrology, Istikhara for Marriage and Black Magic Remove. But the thing is that we don’t know about the exact people. So many fake people started online work who done Rohani ilaj, Online Istikhara, Marriage Astrology, Istikhara for Marriage and Black Magic Remove. And they misguide people. So they get big amount from them so people can’t trust every person. Be aware from these fake people. They make religion as a business. And many fool people trust them. Most of the time the Government take action about these people but their followers promotes them and they started work again. When you gain knowledge from Quran then there is no need to go anywhere to find your solution. If you read Quran deeply you know how many benefits in them. Single word in Quran has many problems solution. Then you never want to think about these people. Try to cut off these people from our society. And in any situation, if you believe these type of people or connected with them. So, you must know about their activities like they just know Quran or they know how to read. Many fake people don’t read single word of Quran but they know as a great Muslim. Even they don’t learn basic 6 Kalmas, way of Namaz some basic Quran verses. So I advised those people who trust them that don’t connect with these fake peers trust on ALLAH and make your life positive.
I worked for those people who are suffered from diseases, family issues, and baby issues etc. But I give solution from Quran according to their needs. I do Rohani ilaj without any fee just to help people. I just know the name of depressed person who interested in Rohani ilaj. And know the issue like joblessness, poorness, illness etc. Most people interested in Online Istikhara. I do for them. But I suggest them to done Rohani Ilaj online Istikhara by you. I guide them and told about Dua Istikhara. Tell them how to do istikhara at home. Because it more sufficient for you. Today so many fake people around us and its difficult to belief. Similarly we don’t belief to any fake peer and Molana. Same as to doing wedding of our children we get confused about that. So we do Istikhara for Marriage. And doing this Allah gives us hint. And many people want to know about future life. It is not allowed in Islam to know about future. Because we don’t know what is better for us and what Allah decided for us. But many peoples trust on Marriage Astrology. Because they think after know about Marriage Astrology their marriages are successful. And they choose right partner for them. But Quran teach us to do Istikhara before started any work even it’s a marriage, job and any work. And on the other hand Black Magic very popular. People are very jealousies. They don’t bear that their relatives, friends gone fast from them. But Quran give us also this solution. I guide people how to Remove Black Magic. Some Quranic Verses use to Remove Black Magic. Our dear Hazrat Muhammad (PBUH) gives us some ayat that is so helpful for us. So we tried to learn these verses for make yourself and children secure from magic.

Online wazaif marriage astrology

online black magic remove with some surah. Try to read Quran daily. Read daily all 4 Qull Shareef and Yaseen Surah. Pray 5 times in a day. Allah will protect you from Devils always. People are really worried about black magic. They don’t know how to save themselves by black magic. And they run to find out the solution. Some people said that we did Rohani Ilaj but actually they do black magic which they named as Rohani Ilaj. So please secure yourself from these people. When you started any work do Istikhara. It’s very easy to done at home by offer 2 rakat nawafil after learn Dua e istikhara for marriage. Try to do it at night because at night Allah will give you hint in your dream. Otherwise it’s not compulsory to do at night but before start istikhara you must read all 5 times prayer. You know all the restrictions. Online wazaif marriage astrology offer on many websites but they don’t guide properly and make confused people. These people who work on website have strong guts to play with humans and lose their trust on ALLAH. So please don’t you trust these people and try to advised your relatives, friends to aware of them. Some diseases of our life do not resolve from doctors but due to Rohani ilaj it is possible. Some miserable person who thought there life will not become easy for them but Rohani ilaj make it easy. Rohani ilaj protect you from evil eyes, jinnat, spiritual pains, family issues etc. So many astrologers worked on different websites. Some are working on marriage astrology. People want to know about their married life, about their partner, about successful married life and so on. They just lie with people. There’s no truth in them
Rohani wazaef of different problems improve our life. We live a religious life. We follow the Quran. Today no one can help to others, no one stampedes to others.
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2019.01.15 12:36 vahibkhan Islamic Wazifa and Dua For My Husband To Love Me

Islamic Wazifa and Dua For My Husband To Love Me ,” Since we understand that the Dua of my significant other to love me is that in case we will execute the Islamic theory and the Islamic speculation is that the theory that has business on five basic or crucial solidarity of the Islam in which there it was tolerating of the Islam this is the base of the Islam in which the first is KALMA, NAMAZ, ROZA, ZAKAT and HAZ and this theory is being utilized for every one of the general population who are on the planet and we understand this isn’t the just a single for the Muslim religion yet it is for all the religion that for they are existent or vivacious on the planet or between it sky and it earth planet and understand that the Land is the planet in nine planets which we survive ourselves or survive or survival and do types novel in connection to things as for sustenance of case, rest, work, organization, et cetera.
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2018.09.27 12:01 autotldr N. Korea promotes east coast tourist area, ski resort

This is the best tl;dr I could make, original reduced by 42%. (I'm a bot)
SEOUL, Sept. 27 - North Korea's official media on Thursday promoted its east coast tourist area and nearby ski resort to the outside world on the occasion of the Day of World Tourism.
This file photo released by Pyongyang's Korean Central News Agency on May 26, 2018, shows the Wonsan-Kalma coastal tourist area under construction on North Korea's east coast.
The newspaper then singled out the Masikryong Ski Resort and the Wonsan-Kalma coastal tourist area, both close to the inter-Korean border on the east coast, as the engines of the North's tourism industry.
"A lot of wonderful cultural and tourist establishments, including the Masikryong Ski Resort, are injecting fresh energy into the development of national tourism," the Rodong Sinmun said in an article, which was also carried by the North's Korean Central News Agency in English.
"Several areas of the DPRK such as Songdowon, Majon and Ryongsupho, seashore scenic spots, are coastal tourist destinations, and the Wonsan-Kalma coastal tourist area with the condition favorable for coastal tourist activity is being successfully built according to the far-sighted plan of the WPK," the newspaper said.
The North reportedly aims to complete the construction of the Wonsan-Kalma tourist area by the WPK's Oct. 10 founding anniversary in 2019.
Summary Source FAQ Feedback Top keywords: North#1 tourist#2 Tourism#3 area#4 ski#5
Post found in /worldnews.
NOTICE: This thread is for discussing the submission topic. Please do not discuss the concept of the autotldr bot here.
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2014.01.11 08:29 Azhrak €1750 Finnish LAN: LanTrek´14 starts in 1.5 hours (incl. elfi, Welmu, Naama, Serral)

LanTrek´14 StarCraft II Pro Info

Time: Saturday, January 11th, 2014
Place: Tampere Exhibition and Sports Centre, Finland
Players: 12 (8 invites, 4 qualified)
Prizes: €1750
Format: Round Robin Group Stage + Single Elimination Playoffs
Streams: English & Finnish on Twitch.tv
Liquipedia: LANTREK'14

Prizes

  1. €750
  2. €400
  3. €200
  4. €200
  5. €100
  6. €100

Players

Invited
Qualified

Streams

Schedule

Saturday, January 11th, 2014
Group Stage
Playoffs

Groups

Group A
Z Serral T Naama Z Protosser P Jagelius T Grim Z Kalma
Group B
P elfi P Welmu T Satiini Z ZhuGeLiang Z PuPu T Jutso
submitted by Azhrak to starcraft [link] [comments]


Daddy Yankee & Snow - Con Calma (Video Oficial) - YouTube Pedro Capó, Farruko - Calma (Remix - Official Video) - YouTube Calma by Pedro Capo and Farruko  Live Love Party™  Zumba ... Ebru Yaşar - Kalmam - YouTube Flavio – Calma (Lyric Video) - YouTube Pedro Capó, Farruko - CALMA  Eliana Raventós feat Lia ... Con Calma - Daddy Yankee & Snow (Lyrics) 🎵 - YouTube Sky, J. Balvin, Ozuna - Karma - YouTube Pedro Capó - Calma (Official Video) - YouTube Pedro Capó - Calma (Audio) - YouTube

Kalma Tablet - Uses, Side-effects, Reviews, and ...

  1. Daddy Yankee & Snow - Con Calma (Video Oficial) - YouTube
  2. Pedro Capó, Farruko - Calma (Remix - Official Video) - YouTube
  3. Calma by Pedro Capo and Farruko Live Love Party™ Zumba ...
  4. Ebru Yaşar - Kalmam - YouTube
  5. Flavio – Calma (Lyric Video) - YouTube
  6. Pedro Capó, Farruko - CALMA Eliana Raventós feat Lia ...
  7. Con Calma - Daddy Yankee & Snow (Lyrics) 🎵 - YouTube
  8. Sky, J. Balvin, Ozuna - Karma - YouTube
  9. Pedro Capó - Calma (Official Video) - YouTube
  10. Pedro Capó - Calma (Audio) - YouTube

Disfruta de nuestra versión de Pedro Capó, Farruko - CALMA Eliana Raventós feat Lia Mendi ¡Deja tu comentario! - INSTAGRAM: @elianaraventos https://www.ins... Disfruta de mi nueva canción “Calma” DEJA TU COMENTARIO! Música Disponible: Pedro Capó – Calma All DSPs: http://smarturl.it/PCCalma iTunes: http://smarturl.i... If you liked this video, don't forget to give it a THUMBS UP, LEAVE A COMMENT and SUBSCRIBE to our channel: http://www.liveloveparty.tv DO YOU WANT TO BECOME... Listen to Karma Here: https://UMLE.lnk.to/fKQsXFp Follow Sky: https://www.instagram.com/skyrompiendo/ https://www.facebook.com/Sky.Rompiendo/ https://twitter... Disfruta de mi Nuevo Video “Calma” Quiero ver tu comentario abajo! Música Disponible: Pedro Capó – Calma All DSPs: http://smarturl.it/PCCalma iTunes: http://... ¡Ya disponible en las plataformas digitales! 👉🏻 https://orcd.co/fcalma Autor, voz y coros: Flavio Guitarras, bajo, programación y arreglos: Nacho Mañó Hammon... Daddy Yankee & Snow Con Calma (Video Oficial) Subtítulos Disponible Letra Oficial👇 Escucha en tu plataforma favorita: Spotify: http://open.spotify.com/albu... Ebru Yaşar'ın, DMC etiketiyle yayınlanan 'Kalmam' isimli tekli çalışması, video klibiyle netd müzik'te. Söz & Müzik: Bilal Sonses Düzenleme: Mustafa Ceceli Y... Con Calma - Daddy Yankee & Snow (Lyrics) 🎵 Attiva la 🔔 per ricevere le notifiche. Disfruten nuestro nuevo video! Pedro Capó & Farruko - Calma REMIX! Qué te pareció? Comenta abajo! Música Disponible: Apple Music: http://smarturl.it/CalmaRem...